Bhaskar Kamath upholding ‘Guru-Shishya’ tradition through ancient art form of ‘Gombeyatta’ puppetry
   Date :01-Jun-2023

Gombeyatta 
 
 
By Dheeraj Fartode
Bhaskar Kogga Kamath, the sixth-generation master puppeteer of ‘Gombeyatta’, a traditional puppetry art of Karnataka, captivated audiences at Spic Macay’s 8th International Convention underway at VNIT. In an exclusive interview to ‘The Hitavada’, Kamath shed light on the significance of 3Ds -- Determination, Dedication, and Discipline -- in folk art. Kamath’s devotion and affection for ‘Gombeyatta’ led him to forsake a career in Karnataka Bank at the age of 26, and carry forward his family’s longstanding puppetry tradition. He expressed a sense of happiness in being the torchbearer of the heritage as the sixth-generation master puppeteer, responsible for the management of over 1,000 puppets. Kamath’s dedication to ‘Gombeyatta’ puppetry serves as an inspiration to aspiring artists.
Reflecting on his journey with puppets, Kamath fondly recalled the age of six when he first laid hands on the puppets in his household. From that moment, his parents started imparting the nuances of puppetry and rhythms of accompanying music. Committed to promoting ‘Gombeyatta’, Kamath has travelled to over 25 countries, sharing the magic of his craft. “I received huge respect and response from the audience across the world. It gives me immense pleasure to display the rich heritage of our country,” Kamath said with pride.
While revealing the significance of the ‘Guru-Shishya’ (teacher-disciple) tradition, Kamath lamented its gradual erosion in the society. Kamath voiced concern about the diminishing respect to teachers within educational institutions.
As a member of the National Puppet Advisory Committee, Kamath also expressed his disappointment over lack of government support to the art of puppetry, a potent medium for social awareness. He also lamented on the challenges faced within the sector, particularly in managing a crew of 15 individuals. Nevertheless, Kamath expressed confidence, attributing his success to divine intervention as he proclaimed, “The Almighty guides my hands in puppetry.” Explaining the folk art, Kamath said, “Folk art is a team work which grants success for the show with determination, dedication and discipline. I came here after travelling around 2,000 km to showcase the cultural heritage.” Kamath runs Uppinakudru Puppet Academy to save the Uppinakudru puppetry art 350 years old heritage. He also constructed a puppet theatre there where he organised ‘Gombeyatta’ shows.