ACTOR Mona Singh, whose career has
seamlessly bridged television, cine- Ama and digital platforms, says the first
25 years of the 21st century have been as
much a period of personal growth for her
as they have been a time of transformation
for the entertainment industry.
Talking about her journey, Mona
described to IANS it as one defined by learning and gratitude. “Personally, it’s been a
journey of constant learning and gratitude.
I’ve grown with the industry, as an actor
and as a person. I’ve been fortunate to play
characters that allowed me to evolve, challenge myself and stay relevant across mediums. I feel thankful to still be here, still
excited, still curious,” Mona told.
From becoming a household name with
her work in the 2003 show Jassi Jaissi Koi
Nahin, to leaving a deep impact in films
like 3 Idiots,Munna Bhai M.B.B.S. and Laal
Singh Chaddha, Mona has adapted to
changing formats and storytelling styles.
Her recent work in series such The
Ba****ds of Bollywood further reinforced
her ability to inhabit complex, contemporary characters with ease.
Asked about the change that surprised her the most, Mona said:
“What surprised me the most was
how quickly the industry
embraced change. OTT platforms
opened up a whole new world for actors
and storytellers, and suddenly age, genre
and format didn’t matter anymore.”
“Also, the way audiences connect
directly with artists now, through social
media, is something I never imagined
in the late 90s.”
Looking at how Bollywood has
evolved over the last 25 years, Mona
strongly feels the most significant shift
has been in storytelling. “When I look
back at the first 25 years of this century, the biggest change I see is in storytelling. Stories have become far
more real, layered and fearless.We’re
no longer afraid to explore uncomfortable emotions or grey characters.”
Revealing why courage, she said:
“I’ll remember these 25
years for courage - the
courage to tell new stories,
to break stereotypes, to
reinvent ourselves. I’ll
remember the love of the
audience, the friendships
formed on sets, and the joy
of doing work that continues to matter. Most of all,
I’ll remember how cinema
kept changing, and how I
changed with it.”